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CITY - Fashion + Art + Culture

The Collection Photography
Normandie

Berenice Abbott (American, 1898-1991)
Normandie, 1983
Gelatin silver print, Edition 22 of 40
Tampa Museum of Art. Gift of Vincent and Sylvia Sorrentino 1986.184
Normandie
Berenice Abbott (American, 1898-1991)
Normandie, 1983
Gelatin silver print, Edition 22 of 40Tampa Museum of Art. Gift of Vincent and Sylvia Sorrentino 1986.184
Self-portrait Composite Sixteen Parts

Chuck Close (American, born 1940)
Self-portrait Composite Sixteen Parts, 1987
Dye diffusion Polaroid (black/white)
Tampa Museum of Art. Bequest of Edward W. Lowman by exchange 1989.15
Self-portrait Composite Sixteen Parts
Chuck Close (American, born 1940)
Self-portrait Composite Sixteen Parts, 1987
Dye diffusion Polaroid (black/white)Tampa Museum of Art. Bequest of Edward W. Lowman by exchange 1989.15
Untitled (#141)

Cindy Sherman  (American, born 1954)
Untitled (#141), 1986
Dye destruction – Cibachrome, Edition 6 of 6
Tampa Museum of Art. Bequest of Edward W. Lowman by exchange 1989.42
Untitled (#141)
Cindy Sherman  (American, born 1954)
Untitled (#141), 1986
Dye destruction – Cibachrome, Edition 6 of 6Tampa Museum of Art. Bequest of Edward W. Lowman by exchange 1989.42
Although Cindy Sherman’s photographs are pictures of herself, they are most definitely not self portraits. Rather, Sherman uses herself as a vehicle for commentary on a variety of issues, such as the construction of self-image and the role of women in the modern world. Sherman dresses up as various characters and stereotypes---here, as an unsettling, androgynous, hairy-chested swashbuckler—in order to question the comfortable norm of beauty and glamour, thereby asking us to find and accept our own identities.
Florence: Aphrodite

Adolphe Braun  (French, 1812-1877)
Florence: Aphrodite, around 1866-80
Carbon print on paper
Tampa Museum of Art. Gift of William Knight Zewadski and Sarah Zewadski 1996.57.30
Florence: Aphrodite
Adolphe Braun  (French, 1812-1877)
Florence: Aphrodite, around 1866-80
Carbon print on paperTampa Museum of Art. Gift of William Knight Zewadski and Sarah Zewadski 1996.57.30
Adolphe Braun was one of the 19th-century's premier French photographers. His subject matter ranged from flowers, landscapes, stereoscopic views, and Swiss regional costumes to reproductions of art works. Braun used different types of photography as their technologies improved, from wet collodion prints to stereoscopy to carbon prints on paper. His photographic reproductions of important works of art were valuable endeavors, providing both an accurate record and an inventory. In 1859 Napoleon III gave Braun the title of Photographer of His Majesty the Emperor, and in 1883 he secured an exclusive thirty-year contract to photograph art objects at the Louvre Museum.
Little Butternut Key #1

Clyde Butcher (American, born 1942)
Little Butternut Key #1, 1999 (negative made in 1997)
Gelatin silver print, Edition 2 of 5
Tampa Museum of Art. Gift of Carlton Fields, P.A. in honor of the firm’s centennial anniversary and its 100 years of service in the legal profession 2001.8
Little Butternut Key #1
Clyde Butcher (American, born 1942)
Little Butternut Key #1, 1999 (negative made in 1997)
Gelatin silver print, Edition 2 of 5Tampa Museum of Art. Gift of Carlton Fields, P.A. in honor of the firm’s centennial anniversary and its 100 years of service in the legal profession 2001.8
Often called the “Ansel Adams of Florida,” Clyde Butcher uses a large format camera to photograph Florida’s natural environment and capture the details that distinguish its unique landscape. A self-taught photographer, Butcher has been exploring his personal relationship with the environment for more than thirty-five years. He moved to Florida in 1980, eventually settling in the interior of Big Cypress National Preserve in 1984. After the death of his son in 1986, he retreated to the wilderness with the hope of regaining his serenity and equilibrium. It was during this time that he discovered the intimate beauty of Florida. Not surprising, the landscapes Clyde typically photographs are untouched by mankind or industry. Little Butternut Key #1 was photographed off Key Largo at Florida Bay, Everglades National Park. The photograph depicts a receding sandbar as well as dynamic cloud formations in the sky. Little Butternut Key is a bird rookery where it is illegal to land any boats. However Butcher had been granted permission by the Everglades National Park to photograph anywhere within the park for their Fifth Anniversary and thus was able to capture this poignant moment. Through such images, Butcher educates viewers about much of the state’s wetlands and natural beauty and thus aids in the preservation of this unique landscape.
Camera Obscura Image of Brookline: View of Brady’s Room

Abelardo Morell (Cuban-American, born 1948)
Camera Obscura Image of Brookline: View of Brady’s Room, 1992
Silver gelatin print mounted on board, Edition 15 of 15
Tampa Museum of Art. Museum Purchase, with funds provided by the Frank E. Duckwall Endowment Fund within the Community Foundation 2001.10
Camera Obscura Image of Brookline: View of Brady’s Room
Abelardo Morell (Cuban-American, born 1948)
Camera Obscura Image of Brookline: View of Brady’s Room, 1992
Silver gelatin print mounted on board, Edition 15 of 15Tampa Museum of Art. Museum Purchase, with funds provided by the Frank E. Duckwall Endowment Fund within the Community Foundation 2001.10
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